Collaboration & Experimentation with Tim Robertson / by Michael Winters

by Jordan Lienhoop

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Tim Robertson’s time in Cambodia from 2009 to 2014 greatly shaped his view of art and community, forming a creative practice around collaboration and experimentation. That path has led him from pigment transfers to risograph printmaking—techniques and tools that continue to create new opportunities for learning and sharing his art making with others.

See more of Tim’s work on Instagram @timothyirobertson and @risolutionpress, as well as his website, where you can get a copy of his photo zine. Plus, check out a photo from his 2015 exhibit Shelby Park Dreams here.

Last Blink (2015) by Tim Robertson. Pigment transfer and mixed media on wood.

Last Blink (2015) by Tim Robertson. Pigment transfer and mixed media on wood.

Spread from Seed Vault (2017) by Tim Robertson. Photo zine with embossed cover

Spread from Seed Vault (2017) by Tim Robertson. Photo zine with embossed cover

Spread from Seed Vault (2017) by Tim Robertson. Photo zine with embossed cover

Spread from Seed Vault (2017) by Tim Robertson. Photo zine with embossed cover

Gingko (2020) by Tim Robertson. Risograph print, black and gold ink

Gingko (2020) by Tim Robertson. Risograph print, black and gold ink

This New Silence (II) by Tim Robertson. From Shelby Park Dreams series (2015).

This New Silence (II) by Tim Robertson. From Shelby Park Dreams series (2015).

This post is part of a series featuring artists involved in our ministry and community in Louisville, Kentucky.